Timeless Portraits and Dreams

Timeless Portraits and Dreams: A Festival/Symposium in Honor of Geri Allen

Conference Website

Saturday night's concert Geri: Genius, Grace and Fire was live streamed by WGBH Boston.  You can access it via this Link

On February 16-17, 2018 Harvard University will host Timeless Portraits and Dreams: A Festival/Symposium in Honor of Geri Allen, at Paine Hall (3 Oxford Street, Cambridge, MA 02138).  Two concerts and two days of panel discussions featuring top musicians and artists who worked with Allen will honor her creative vision, artistic collaborations, and the role she played in establishing the shape of jazz today. 

Geri Allen's passing last June at age 60 shocked the jazz world. Allen, a beloved pianist, composer, and educator, was known for her versatility and creativity across every stylistic area of jazz, broadly conceived.  The New York Times obituary noted that “Ms. Allen’s style—harmonically refracted and rhythmically complex, but also fluid—formed a bridge between jazz’s halcyon midcentury period and its diffuse present.” Known for her innovative pianism, solo and trio performances and recordings, original compositions, and keen imagination, Allen also collaborated with a who’s who of musicians from a previous generation. Allen had an expansive aesthetic and believed in allowing the core jazz tradition to interact freely across the full range of African American expressive forms, including Motown and spirituals, experimentalism, and tap dance.

Assembling to honor Allen at Harvard will be a towering line up of today's musicians-- Esperanza Spalding, Terri Lyne Carrington, Vijay Iyer, Jason Moran, Craig Taborn, Don Byron, Oliver Lake, Carmen Lundy, Kenny Davis, Tia Fuller, and Yosvany Terry--who will be featured in two evening concerts. Panel discussions and presentations will take place during the day on Friday and Saturday.  Photographer Carrie Mae Weems and actor S. Epatha Merkerson will discuss their collaborations with Allen and colleagues from the Jazz Studies Program at University of Pittsburgh will address Allen's educational vision. Musicians and scholars will share their experiences with Allen and provide a rich account of the history of Allen's musical leadership.

Keynote speaker Professor Farah Griffin of Columbia University will begin the event at the Harvard University Music Building on February 16, 2018 at 12:00 pm. Pianos for Geri, curated by Vijay Iyer and featuring composer-pianists Kris Davis, Craig Taborn, Jason Moran, and Iyer in solo and duo configurations, will take place on Friday February 16 at 8:00 pm at Paine Hall, Harvard Music Building.  Saturday evening's concert, Geri: Genius, Grace and Fire, is curated by Terri Lyne Carrington and features Carmen Lundy, Oliver Lake, Don Byron, Kris Davis, Tia Fuller, and Yosvany Terry.Timeless Portraits and Dreams: A Festival/Symposium in Honor of Geri Allen is organized by Vijay Iyer, Ingrid Monson, Terri Lyne Carrington, and Esperanza Spalding.  Cosponsors of the Festival/Symposium include the Jazz Research Initiative of the Hutchins Center for African and African American Research, the Hutchins Center for African and African American Music, the Music Department, Office of the Provost, the Dean of Arts and Humanities, the Associate Provost for the Arts, and the Office for the Arts, all units at Harvard University.

 

Ticket are  available from the Harvard Box Office .  For more information, contact Ingrid Monson, Quincy Jones Professor of African American Music, Harvard University, imonson@fas,harvard.edu.  (Jazz Initiative website address).

 

 

 

Geri Allen Biography

Geri Antoinette Allen, June 12, 1957-June 27, 2017

Last summer the jazz world was shocked to learn of the death of renowned pianist, composer, and teacher Geri Allen at the age of 60.  Allen was a beloved figure known for her versatility and creativity across every stylistic area of jazz, broadly conceived.  The New York Times obituary noted that “Ms. Allen’s style—harmonically refracted and rhythmically complex, but also fluid—formed a bridge between jazz’s halcyon midcentury period and its diffuse present.” Known for her innovative pianism, solo and trio performances and recordings, original compositions, and keen imagination, Allen also collaborated with a who’s who of musicians from a previous generation—Ornette Coleman, Charlie Haden, Ron Carter, Tony Williams, and Betty Carter, to name only a few.  Allen had an expansive aesthetic and believed in allowing the core jazz tradition to interact freely across the full range of African American expressive forms, including Motown and spirituals, experimentalism, and tap dance.

The Detroit native was awarded a Guggenheim Fellowship in 2008, an honorary doctorate from Berklee College of Music in 2014, and a Jazz Legacy Award from the Congressional Black Caucus.  Over the course of her thirty-five year performing career Allen taught at many institutions of higher learning including Howard University, University of Michigan, New England Conservatory of Music, and the University of Pittsburgh.  She earned a master’s degree in ethnomusicology from the University of Pittsburgh in 1982, where she wrote a thesis about alto saxophonist Eric Dolphy under the supervision of her mentor Nathan Davis. After Professor Davis retired, Allen succeeded him at the University of Pittsburgh, where she was appointed in 2014 as an associate professor and Director of Jazz Studies and the Pitt Jazz Seminar and Concert.  She was building an exciting new program for which she made several appointments, including Aaron Johnson, Michael Heller, and Yoko Suzuki.  Allen was in the process of reviving the journal Jazz and Culture, under the editorship of Heller, and was steadfastly committed to bridging educational inequities through community outreach.

Allen was also devoted to the history of women in jazz.  She conducted original historical research on Mary Lou Williams and Lovie Austin and championed their music.  In 1996 Allen played Mary Lou Williams in Robert Altman’s film Kansas City.  Allen was also the musical director for the Mary Lou Williams Collective, which performed and recorded Williams's music including the Mass for Peace and the Zodiac Suite.

More recently Geri Allen had been performing regularly with McCoy Tyner and participated in two innovative trios--the ACS trio with Terri Lyne Carrington and Esperanza Spalding, and the MAC trio with David Murray and Terri Lyne Carrington.  The MAC trio released a critically acclaimed album called Perfection in 2016.

Allen's vision extended to collaborations with the theatrical and visual arts. With S. Epatha Merkerson and Farah Jasmine Griffin she developed two musical theater projects--"Great Apollo Women," and "A Conversation with Mary Lou."  Allen also collaborated with photographer, filmmaker, and visual artist Carrie Mae Weems, on the exhibit Slow Fade to Black, and the film Refractions: Flying Towards the Sound.  Allen wrote the music during her Guggenheim Fellowship in 2008, and Weems's film accompanied Allen's concert performances of the work. As Terri Lyne Carrington has noted, Geri Allen was "a woman of few words, but significant action," possessing "sage-like quiet strength" and profound artistry. Timeless Portraits and Dreams: A Festival/Symposium in Honor of Geri Allen is dedicated to her legacy.

--Ingrid Monson